- Jun 2, 2005
Roudnitska said that the key to a great perfume is the small amount of "ugly" that you add. In patchwork quilting this is also true - in the vast array of fabrics chosen for a quilt, the maker always picks a square she finds ugly to incorporate.
So my question is this: what are the really awful smelling materials you use and why?
I'll start wtih two:
Dimethyl sulfide: the foul stink of cabbage. This is indispensible in marine accords as the real small of the sea (as determined by headspace analysis) comprises large amounts of the stuff. It's also very naturalising in rose and fruit.
Skatole: if you need a stronger indole note, you can use a bit of skatole to boost the indole. It is an excellent naturaliser and rounder - but easily overwhelms and can flatten a fragrance. It synnergises with sandalwood so you can get unusual (but lovely) results using civet or a civet replacer with genuine sandalwood. This could also explain how Monsieur Coty got away with 1% pure civet absolute in Chypre!
So my question is this: what are the really awful smelling materials you use and why?
I'll start wtih two:
Dimethyl sulfide: the foul stink of cabbage. This is indispensible in marine accords as the real small of the sea (as determined by headspace analysis) comprises large amounts of the stuff. It's also very naturalising in rose and fruit.
Skatole: if you need a stronger indole note, you can use a bit of skatole to boost the indole. It is an excellent naturaliser and rounder - but easily overwhelms and can flatten a fragrance. It synnergises with sandalwood so you can get unusual (but lovely) results using civet or a civet replacer with genuine sandalwood. This could also explain how Monsieur Coty got away with 1% pure civet absolute in Chypre!
Currently Wearing: Cherry Pop by Frater Perfumes