- Aug 21, 2001
Let's flip it. What are the Basenotes darlings that don't hold up well in the real world?
Currently Wearing: Millésime Impérial by Creed
It is a classic tried and true best seller. But in my opinion it's a bit different and can be polarizing. It sure ain't Bleu de Chanel. I own Fahrenheit by the way.I can't believe people are mentioning Fahrenheit, one of the time-tested staples in men's fragrance. When I saw this thread I immediately thought of weird niche shit, or vintage civet bombs like Eau d'Hermés. Isn't Fahrenheit still a huge seller worldwide?
That's kind of a deal for The Night lolFrederic Malle The Night, at $750 for 50 ml
Yeah, it's at $960 so that is a good deal. Their prices for this one have really gone up. I paid $2200 for the 250ml Spray years ago. Now it's $3425!That's kind of a deal for The Night lol
Last I checked, retail for 50ml of The Night was close to $1000.
LOLI once had Chanel Cuir de Russie I was wearing called nail polish remover or paint thinner.
Basenotes isn't united by taste much either, and our population is mostly subdivided by forum or thread.Let's flip it. What are the Basenotes darlings that don't hold up well in the real world?
Basenotes isn't united by taste much either, and our population is mostly subdivided by forum or thread.
Best I can answer is:
Short version: We focus on the rare, the weird, the discontinued or forgotten, the exclusive, the expensive, the trophies and unicorns, whatever separates or elevates us from the din of the common. This is really par for any collection hobby, like comics or vinyl records. Collectors are more likely to spin test pressings of Steely Dan than a vinyl issue of Taylor Swift's newest disc. This cuts modern and popular/ubiquitous/socially relevant scents like Sauvage out of the running until they no longer are, then they become considered.
Long version:
-Approximately 50% of us are vintage and discontinued fragrance fans, with a particular focus on masculines from between 1965 and 1990, as this was the era most active BNers were in their teens, twenties, and thirties, plus some of us have 20 year tenures on this site alone, when many of them were still commonly available for purchase. This era is widely recognized as halcyon years of creativity and ingredients access - not just by collectors - but by perfumers as well (e.g. Pierre Bourdon). Batch code and deep vintage provenance checkers tend to fall into this group too even if what they're into isn't necessarily "vintage" yet in age (i.e. Dior Homme fans).
-Approximately 30% of us are Indie and artisanal fragrance fans with a focus on all/mostly natural ingredients and self infusion/tincture/DIY raw materials creation a la Areej le Dore and Bortnikoff; or conversely, there is a strong fan focus on retro styles and unique individualistic styles not beholden to eras of fashion a la Rogue and Tauer. Lastly, there are lovers of quirky upstart brands with tiny one-man distribution like Gray Matter and Clandestine Laboratories. The garden variety niche brand fans (L'Artisan and Montale etc) see some representation here too but it's very selective and usually those selections are older or discontinued (e.g. D'Zing), showing overlap with vintage lovers.
-Approximately 10% of us (and shrinking at least since I started being active) are focused on big status luxury brands that impart some sort of misplaced sense of superiority in the capitalist social darwinism chain, vis à vis people who "flex" their Roja Dove, Xerjoff, Fragrance du Bois, Creed, or Frédéric Malle collections. This group tends to extol "you get what you pay for". Sometimes the oft-lampooned "FragBro" stereotype falls into this category too because status is one of their goals in pursuing fragrance. Once upon a time this was Lutens bell jars or rare Le Art et Maitiere/Parisiens/Parisiennes Guerlains, but that stuff is now falling into vintage jurisdiction.
-Approximately 10% of us still keep a pulse on modern designers and mainstream "masstige" niche brands, and that's where interest in threads like this usually come from (but not always). This segment of the population here is actually growing again after being on the decline for some time (maybe the "snobs" stopped gatekeeping and chasing them away); and even though a lot of what may seem to be banal questions get asked (e.g. is X good for the office), there is an opportunity to commune with "the other side" and share tastes/perspectives. This creates growth for everyone.
Disclaimer: There is also a lot of overlap too, and entire sub-populations of DIY perfumers, oud and attar collectors, wet shaver and drugstore/mailorder scent users, candle and incense/room scent lovers, plus the Aventus fans (still cordoned off) that weren't represented in the above breakdown.
My wife loved REL. Thought it smelled like candy!Creed Royal English Leather:
1. My wife bought it for me.
2. About a year later I was wearing it at home, just one or two sprays, and she threw a fit about it. “Don’t ever wear that around me again,” etc.
3. Last week she said, “I was getting dressed, and tried on one of your colognes. Royal English Leather. I really like it.”
Moral of the story: damn the torpedoes. Wear whatever you like. You can’t please everyone. Naysayers might just be having a bad day.
Well you sucked all the fun out of it. 😎Basenotes isn't united by taste much either, and our population is mostly subdivided by forum or thread.
Best I can answer is:
Short version: We focus on the rare, the weird, the discontinued or forgotten, the exclusive, the expensive, the trophies and unicorns, whatever separates or elevates us from the din of the common. This is really par for any collection hobby, like comics or vinyl records. Collectors are more likely to spin test pressings of Steely Dan than a vinyl issue of Taylor Swift's newest disc. This cuts modern and popular/ubiquitous/socially relevant scents like Sauvage out of the running until they no longer are, then they become considered.
Long version:
-Approximately 50% of us are vintage and discontinued fragrance fans, with a particular focus on masculines from between 1965 and 1990, as this was the era most active BNers were in their teens, twenties, and thirties, plus some of us have 20 year tenures on this site alone, when many of them were still commonly available for purchase. This era is widely recognized as halcyon years of creativity and ingredients access - not just by collectors - but by perfumers as well (e.g. Pierre Bourdon). Batch code and deep vintage provenance checkers tend to fall into this group too even if what they're into isn't necessarily "vintage" yet in age (i.e. Dior Homme fans).
-Approximately 30% of us are Indie and artisanal fragrance fans with a focus on all/mostly natural ingredients and self infusion/tincture/DIY raw materials creation a la Areej le Dore and Bortnikoff; or conversely, there is a strong fan focus on retro styles and unique individualistic styles not beholden to eras of fashion a la Rogue and Tauer. Lastly, there are lovers of quirky upstart brands with tiny one-man distribution like Gray Matter and Clandestine Laboratories. The garden variety niche brand fans (L'Artisan and Montale etc) see some representation here too but it's very selective and usually those selections are older or discontinued (e.g. D'Zing), showing overlap with vintage lovers.
-Approximately 10% of us (and shrinking at least since I started being active) are focused on big status luxury brands that impart some sort of misplaced sense of superiority in the capitalist social darwinism chain, vis à vis people who "flex" their Roja Dove, Xerjoff, Fragrance du Bois, Creed, or Frédéric Malle collections. This group tends to extol "you get what you pay for". Sometimes the oft-lampooned "FragBro" stereotype falls into this category too because status is one of their goals in pursuing fragrance. Once upon a time this was Lutens bell jars or rare Le Art et Maitiere/Parisiens/Parisiennes Guerlains, but that stuff is now falling into vintage jurisdiction.
-Approximately 10% of us still keep a pulse on modern designers and mainstream "masstige" niche brands, and that's where interest in threads like this usually come from (but not always). This segment of the population here is actually growing again after being on the decline for some time (maybe the "snobs" stopped gatekeeping and chasing them away); and even though a lot of what may seem to be banal questions get asked (e.g. is X good for the office), there is an opportunity to commune with "the other side" and share tastes/perspectives. This creates growth for everyone.
Disclaimer: There is also a lot of overlap too, and entire sub-populations of DIY perfumers, oud and attar collectors, wet shaver and drugstore/mailorder scent users, candle and incense/room scent lovers, plus the Aventus fans (still cordoned off) that weren't represented in the above breakdown.
Agree on all three!I think Fahrenheit for most average Joe's is a hard swallow. Guerlain Vetiver maybe as well. LADDM?
I think there is a lot of truth is in this.Short version: We focus on the rare, the weird, the discontinued or forgotten, the exclusive, the expensive, the trophies and unicorns, whatever separates or elevates us from the din of the common. This is really par for any collection hobby, like comics or vinyl records. Collectors are more likely to spin test pressings of Steely Dan than a vinyl issue of Taylor Swift's newest disc. This cuts modern and popular/ubiquitous/socially relevant scents like Sauvage out of the running until they no longer are, then they become considered.
We certainly are...good call.Collectors are more likely to spin test pressings of Steely Dan
Observation, aka "original research", seeing what people post and where they post it. Remember, I used to lurk a LOT before I started piping up. Been here since 2012, didn't speak until 2017ish.Very interesting analysis, VR. What is the source of the statistics?
My wife said Figment Man smells like garbage and gets mad on the rare occasions I wear it.Any Amouge 😂
What we "snobs" often forget about our favourite fragrances are our own first impressions of them. My favourite fragrances are usually the ones I have come to know over an extended period of time. Consequently, my perception of them is influenced by a lot of feelings and memories that nobody else shares. I always have to remind myself that the people around me are probably smelling the scent I wear for the first time, so my current impression doesn't count for much. That's why I make a point of noting my first impressions for new acquisitions.
In my experience, people are usually very reserved about commenting on other people's scents. The only two outright negative reactions I got when wearing beloved classics were (1) for Chanel Pour Monsieur ("you smell like an old hooker" from an experienced male ex-coworker) and (2) Guerlain Vetiver ("stop wearing that, seriously!" from my sister). I really like both fragrances, so I was quite taken aback both times.
I can confirm that my fragrance-disinterested spouse, who only wears peony-scented florals (and only ever owns one bottle of a chosen fragrance at a time; she's a true ascetic), has only complimented me on a fragrance once in recent years, when I was randomly sampling Azzaro Chrome on a lark.The vast majority of people still prefer light, fresh fragrances, whether that's an old eau de cologne or a more modern transparent aquatic.
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