- Dec 31, 2022
Hello Basenotes friends, I'd love to get some advice on a formula I've been wrestling with -- I'm a beginner, so everything is a bit of a wrestle at this stage!
For this sketch, my brief to myself was to evoke a sunny Saturday visit to an antique store: I envisioned a warm, dusty woods-driven base to evoke old furniture, a heart of orris/violet, and an ozonic "fresh air" mid-top note. In attempting this formula, I ran into three fairly consistent problems even as I experimented with different ingredients:
Base. I'm currently trying a softer woods approach with Kephalis and Amyris, plus a few slight dark accents. The Ebanol/Bacdanol is also meant to push woody dryness into the orris middle and harmonize with the ionones.
Iso E Super -- 10
Amyris Wood EO -- 7
Ethylene Brassylate -- 5
Helvetolide -- 5
Kephalis -- 5
Ebanol -- 5
Bacdanol -- 4
Coumarin -- 2
Juniper EO -- 1
Veramoss -- 1
Civette 10% -- 1
Amber Xtreme -- 1
Heart. I've tried Isoraldeine + Methyl Ionone Beta + Irone Alpha + Citronellol to get my orris/violet effect, with a few floral accents and a bit of hedione to tie it together.
Hedione -- 10
Isoraldeine 95 -- 10
Methyl Ionone Beta Coeur -- 10
Irone Alpha -- 3
Benzyl Salicylate -- 2
Citronellol -- 1
Neofolione 1% -- 1
Lilytol -- 1
Heliotropex -- 1
Heart-Top. A mix of aquatics/ozonics tilted towards freshness (vs. marine facets), with a bit of Linalool to blend and soften.
Linalool -- 4
Helional -- 3
Calone -- 2
Floralozone -- 2
Scentenal -- 1
Undecavertol -- 1
Ald C-12 MNA 1% -- 1
I'd love to know if I'm missing something obvious here; maybe a structural problem with the proportions of my core materials, or maybe an overcrowding issue where materials are blocking each other. Any and all perspective is welcome and helpful, thanks!
For this sketch, my brief to myself was to evoke a sunny Saturday visit to an antique store: I envisioned a warm, dusty woods-driven base to evoke old furniture, a heart of orris/violet, and an ozonic "fresh air" mid-top note. In attempting this formula, I ran into three fairly consistent problems even as I experimented with different ingredients:
- The heavier wood notes (I started with a cedarwood EO/cedryl acetate/norlimbanol accord, with a touch of pyralone and safraleine) overtook the orris heart and made it smell not-in-a-good-way dirty.
- The orris/violet heart accord was either too weak or too powdery when I pushed its volume (I'm primarily using Isoraldeine 95, Alpha Irone, and a bit of Ebanol).
- The formula smelled considerably different on the skin than on a scent strip, particularly with regard to the presentation of the heavier base materials.
Base. I'm currently trying a softer woods approach with Kephalis and Amyris, plus a few slight dark accents. The Ebanol/Bacdanol is also meant to push woody dryness into the orris middle and harmonize with the ionones.
Iso E Super -- 10
Amyris Wood EO -- 7
Ethylene Brassylate -- 5
Helvetolide -- 5
Kephalis -- 5
Ebanol -- 5
Bacdanol -- 4
Coumarin -- 2
Juniper EO -- 1
Veramoss -- 1
Civette 10% -- 1
Amber Xtreme -- 1
Heart. I've tried Isoraldeine + Methyl Ionone Beta + Irone Alpha + Citronellol to get my orris/violet effect, with a few floral accents and a bit of hedione to tie it together.
Hedione -- 10
Isoraldeine 95 -- 10
Methyl Ionone Beta Coeur -- 10
Irone Alpha -- 3
Benzyl Salicylate -- 2
Citronellol -- 1
Neofolione 1% -- 1
Lilytol -- 1
Heliotropex -- 1
Heart-Top. A mix of aquatics/ozonics tilted towards freshness (vs. marine facets), with a bit of Linalool to blend and soften.
Linalool -- 4
Helional -- 3
Calone -- 2
Floralozone -- 2
Scentenal -- 1
Undecavertol -- 1
Ald C-12 MNA 1% -- 1
I'd love to know if I'm missing something obvious here; maybe a structural problem with the proportions of my core materials, or maybe an overcrowding issue where materials are blocking each other. Any and all perspective is welcome and helpful, thanks!