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Adioooous amigos, adioooos my friends(...) they last longer than before. This is mostly due to some new transparent musk-type molecule that I've noticed in all of the new formulations, except Shalimar.
There is also an oakmoss reconstruction in many of the fragrances (...) It smells like the real thing, but it's also hollow in feel, and doesn't provide a backbone to the fragrance like oakmoss did for the original formulations.
Is it possible that, with no taste, no budget and having known no or few Regulas, one could somehow manage to get around this? Alright, alright. Let us raise a glass of water, of precious, and repeat after me, if you will... parfumeuses and parfumeurs of this world, unite!Still, I commend Thierry Wasser on his work. I can only imagine what he had to deal with in terms of budget cuts, IFRA regulations, and changing tastes.
There's a rumour - currently no more than that - that most will be relegated to the 'fountains' and therefore available only in bee bottles 125ml and up.SO...are the new Guerlain extracts no longer available? (and, if so, WTH?)
ARGH.There's a rumour - currently no more than that - that most will be relegated to the 'fountains' and therefore available only in bee bottles 125ml and up.
Indeed. If there's an extrait you can't live without, now might be the time to stock up.ARGH.
As someone who fortunately, or unfortunately, didn’t know the vintage Guerlains, I was dumbstruck by the latest A.L. and Mitsouko. Holy cow, that’s great perfumery.I'm starting this thread to focus on the facts, as well as the negative and positive aspects of the new Guerlains formulations in 2021 (white boxes). From online chatter and personal experience, most of the Legendaires line (Mitsouko, Apres L'Ondee, Vol de Nuit, etc) has been reformulated. There are many positives, and some negatives, to this.
I've tried Mitsouko EdP, Chamade EdT, and Eau de Guerlain, L'Heure Bleue EdP and Shalimar EdP in their current formulations (i.e. 2021/2022 formulas).
It seems that in terms of structure, they've returned to the original formulations (or at least as close as possible to the versions I've tried from the 1990s and early 2000s), before Edouard Flechier reformulated everything due to massive constraints on oakmoss use by the IFRA.
The good news, is that they smell great, and they last longer than before. This is mostly due to some new transparent musk-type molecule that I've noticed in all of the new formulations, except Shalimar. It doesn't feel like white musk, but it's soft and cushy, kind of like clean laundry musk but sheer and easy on the nose, not entirely unpleasant (although I'm not necessarily a fan). It can be smelled from the beginning, all the way to the end, of each fragrance I've tried, and it was not in any of the previous incarnations.
There is also an oakmoss reconstruction in many of the fragrances, employed by Thierry Wasser sometime since 2019 or 2020, I believe. It smells like the real thing, but it's also hollow in feel, and doesn't provide a backbone to the fragrance like oakmoss did for the original formulations. It smells considerably more modern, and less dank than vintage Guerlains. What I like, is that the oakmoss reconstruction bridges the gap between the old school and the new school.
All of the fragrances have maintained their character, and nothing so far, has been destroyed, but there is considerably less depth and less of that aromatherapy or shivers down the spine feeling when you sniff them. Still, I commend Thierry Wasser on his work, I can only imagine what he had to deal with in terms of budget cuts, IFRA regulations, and changing tastes.
Take it as you will, but if you're a fan of vintage Guerlains, now is the time to stock up on vintages from Ebay and the like - things are changing. If you don't care about oakmoss, synthetic musk, or that vintage feel, you'll be extremely happy with the new formulations. I'm happy with the ones that I've purchased, but I'd go for the vintage any day.
I encourage everyone to post their own experiences, so that Guerlain fans can decide which formulation they'd like to buy or try (without getting too crazy). I have extensive experience with almost all formulations of the men's fragrances (Habit Rouge, Derby, Vetiver, Heritage), most of "Les Eaux" and some of the women's fragrances (especially Mitsouko), if anyone has any specific questions.
Honestly I wouldn't get too worried about what you did or didn't miss out on.As someone who fortunately, or unfortunately, didn’t know the vintage Guerlains, I was dumbstruck by the latest A.L. and Mitsouko. Holy cow, that’s great perfumery.
Honestly I wouldn't get too worried about what you did or didn't miss out on.
As I said in a recent livestream, some people project their own sense of identity so hard into their hobbies that they see their sense of self-worth tied up in them.
So if someone goes super hard on cataloging and curating what is or isn't "proper Guerlain", all you can do is back away slowly. Don't poke the bear.
If you enjoy -your- bottle of Mitsouko, who gives a damn if they approve or not? Sampling vintages can be a fun and educational exercise though, assuming you're not paying $200 for a 5ml tube.
I don't think anyone here is doing that. We're just comparing old to new (or vice versa), which happens all over the forum.So if someone goes super hard on cataloging and curating what is or isn't "proper Guerlain", all you can do is back away slowly. Don't poke the bear.
*(Except the LVMH-appointed management team currently making all the terrible marketing decisions meant to destroy its heritage. I wish they could know how much the vintage formulations were adored.)
I agree to a point. Yes, Guerlain has had to balance these issues for at least a couple of decades that I know of. I did not always agree with Sylvaine Delacourt's style or decisions, but she had at least consistently tried to maintain the image and accessibility of Guerlain's heritage perfumes. Since her departure, though, it has become clear to me that the new management does not cherish these heritage perfumes like she did. I don't mean Thierry Wasser, who has made a great effort to preserve the formulations of these heritage perfumes. I mean the marketing department, who have:I don’t think they’re unaware. They’re just dealing with two challenges: 1) how to honor vintage formulations that are now forbidden by EU law, and 2) how to translate Guerlain’s heritage into a viable 21st century business that attracts new customers rather than just their less-spendy parents or grandparents.
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