The modern version of Diorama. I expected some kind of thin,synthetic mess. Most classics are obliterated with regulations, profit margins and unskilled hands of a new perfumer. I am pleased to say I was wrong. The opening is a strong tarty bergamot with the bright yellow ylang. Jasmine follows up and asserts the floral identity. It was bright and of substance, and made this hardened vintage lover reminisce of other fragrances in the past that had similar openings. Truly a rare occurrence in these times. I had a moment where I thought I may have wondered into Niche territory.
The familiar jasmine and rose begin to take over with a caraway note as an undercurrent. Plum and peach add the fruity echo from its past and adds body and dimension to the composition. This leans more floral than fruity floral.
Please note as some of you reading this that its connection to Femme comes to mind..but its not full of cumin. The caraway hints at its past, but does not send it down that animalistic Femme path.
Patchouli & cedar anchor modern Dioramas base. Modern regulations take its toll on Diorama here in the base as well as a lack of the famous prunol additive from the vintage. No oakmoss or animalics to weigh it down. It can be a good thing as these types are seen as outdated or out of vogue. The cost is longevity. Its a well tailored fragrance and Im off to get a bottle for the days I want a vintage feel but not its weight.
In its class there is Femme, and Parfum de Therese. I feel this is a great middle option at its price point and design. It is interesting to note that Demachy studied under Roudnitska, so Demachy is a good candidate to keep Dioramas spirit intact. Works in Fall and spring. A little light for winter.
The opening is a fresh zesty lemon verbena/and sunny citrus. Its found in traditionally masculine fragrances. ( an echo of 70s vibe) Its a interesting opening for a woman's fragrance playing with the unisex vibe. A non traditional opening for womens fragrances.
Sometimes I really wish Roja had an editor that was a woman to help feminize his pour femme offerings. They all have a masculine tinge to them. Not that theres anything wrong with it as unisex means more sales, but I would appreciate something that hones in on the true curves of the feminine mystique.
I would put this on in the morning for a wakeup and get down to business scent. A well done fresh floral for your wardrobe. The heart opens with a jammy rose, a custardy vanilla ylang ylang countered with a beautiful patchouli.
Cute powdery violets lend a femininity and the jasmine tempers the rose. Theres a soapiness and a white musk element that keeps this fresh in tone. Its evolution really reminds me of old Hollywood actresses that spent their leisure time at Hearst Castle playing tennis. The old actresses would always put on their fragrance first out of the bath assuring the heart to drydown which was the most spectacular part of the perfume was on display. Then they would continue with their beauty routine.
I would say this is a modern classic. It does change in a sweeping dramatic fashion, like theres 3 acts to the story. Ive never smelled anything quite like it.
1.7oz parfum -"Creation-I" Reviewed
Its called Danger as it is to your pocketbook.
There are shades of Samsara, but I will go on to say..if you found Samsara too harsh, scratchy this is much smoother and gentle. So if you liked the genre of Samsara with more floral..its going to work for you. Its more complex, as it should be for the price point. Sillage is good, not monstrous and lasts. I find it delightful and easy to wear.
Creation E. I lucked out and got one of the first versions. My bottle is loaded with spicy orris, musk, ambergris...really expensive stuff. You can just smell the luxury rolling off this. Powdery heliotrope, rose, peach and geranium to lend a spicy green bitter nuance. Jasmine faintly dances under the orris and thick ylang. vanilla, sandalwood starts to smooth it all down in the end. If you know fine materials in fragrances, this is exemplary quality. I spray my teddy bear with it for sweet dreams
If youd like a lighter alternative with a similar feel try Joy Forever edp by Patou.
It fit me like a fine leather glove. Some reviewers claim Habanita as an inspiration. Meh..somewhat. It isnt that cut and dried. I have the vintage Habanita extrait and edt and this, if I had to say its relation to it is a fine tuned habanita or animalic chypre. I got a big rose backed up by classic geranium with a growly sweet animalic powdery musk.Theres a sweet orange blossom leather from the labdanum that reminds me of Cuir Mauresque. Im in heaven. Completely underrated in the line and Roja fine tunes older ideas..usually for the better.
I own both the extrait (Creation S) and The EDP versions.
My review is for the edp.
Id have to say this is the most dreamy modern romantic white floral melange in our time. This is an always appropriate white floral thats polished and can reach for everyday without it being too much. Not sure what to wear? Scandal. Its much more versatile than one may think. This is not anything like fracas ..this is much more romantic and refined.This white floral does not roar. So if you are looking for a screaming white floral presence..look elsewhere. His Tuberose is closer to Fracas..this is closer to JDB but much more ladylike.. Just...lovely.
I do not get into MSRP/Pricing as I feel that is relative/subjective.
Roja Tuberose extrait hits the mark of a well crafted elegant tuberose centered fragrance. Its lush, nothing jarring or out of place. Ive tried a tuberose fragrance at all the price points and this is the current winner without scouring the planet for vintage. Save your time, buy this instead. Quality Quality Quality. A love. Its well done and rivals the vintage Fracas extrait that was so sublime. Excellent!
Its a unique fragrance. Its superiority in blending so nothing distracts you from the velvety experience of juicy tart citrus opening with rose, leather, moss and a gentle warmth of nutmeg, musks, tonka,vanilla and oud keeping the base warm. Just richness for miles. Opulent.
Britannia is the whole world in a bottle.
It opens with a slight bitter citrus then the giant peach note takes over and toggles with a cocoa presence. A beautiful orris/ambergris combination surfaces and changes its nuances much like a well running swiss clock with a large list of notes and experiences dancing for attention. You want a chypre..its in here.. a dusting of a fruity sweet light gourmand? Its in here.. a powdery violet candy.. well you can have that too. Genius. Voluptuous, full figured fragrance in the best way. Opulent. Britannia.
D is a summary of a genre that is long lost in modern perfumary. The epoch of the chypre genre was the animalic fruity floral with mossy leather nuances with some spice.
It opens with herbs and citrus much like the greats of yesteryear then opens up a mossy leathery heart with cumin, and fruit. The animalic ending makes this dirty and sexy..like you are wearing contraband or something that the IFRA would have a heart attack over. Is it the greatest of all time? No. I will say I have worn the iconic vintage chypres of this genre. Diorama, Patou Lasso, Rochas Femme, Etc. However, If you do not/cant get these vintages..then yes Roja is a great piece.
This is made for a vintage enthusiasts or a well educated nose. This has substance. I find it closer to Femme than Mitsy.
Karenina is gentle in spirit. Its a warm, soft floral. Karenina in my wearing is supported on a bed of alluring ylang ylang with frangipani, gardenia, and a well restrained carnation and cloves adding texture to the powdery violet that adds femininity to the fragrance. The warm base supported by vanilla, cedar and musk gives a plush dry down to a light tropical oriental floral. The green notes air out the rich story.
Karenina nods to the past while solidly blooming in the present. I think all grand fragrances do have a nod to the past of classic perfumery, or in this case a look into the flower train to Russia. I dont get a solid "vintage" feel as some of the usual "vintage" base notes are not present, and I believe it was carefully selected to keep the story well rooted in the present. Its a unique modern romantic fragrance. A delight to wear. Longevity very long lasting, Silage moderate to full depending on amount used.
EDIT: Now Discontinued.
I found and wore one bottle in the 80s. It was beautiful. It haunted me for years. Sheherazade was reformulated in 1983 off of the original 1939 version. It was short lived --discontinued late 80s.
Top notes: aldehydes, orange, chamomile, blackcurrant, bergamot, geranium, pepper berries, nutmeg, cloves and rosewood
Middle notes: mimosa, coriander, tarragon, daisy, lily of the valley, hyacinth, gardenia, rose, orange blossom, carnation, ylang-ylang, jasmine, orris and cassis
Base notes: patchouli, wormwood, labdanum, tonka, incense, leather, civet, ambergris, pine nuts, vanilla, sandalwood, musk, vetiver, oakmoss, opoponax and benzoin
Its softer and has less of an edge than the family member Bal a Versailles. Its very feminine where Bal can lean unisex. I recently obtained a rare PDT 3.3 tall splash bottle fairly intact. Top notes of the pepper berries and rosewood grab your attention until the warm deep base begins to warm the scent with the powdery vanillic opopponax enveloping the heart notes. It is a full, complex kitchen sink fragrance like Bal a Versailles. Opulent, plush and gorgeous. It is one of those rare perfumes that star Chypre and twist into Oriental in the mid -drydown.
Im glad to meet her again. Sheherazade also layers well with Bal Cologne.
A beautiful citrus with feminine whiskey cherry tobacco opening. Tobacco these days is so masculine. Here it definitely has a foreign feminine floral edge. This is a fragrance for a DAME!
An opulent release to help soothe the women coming out of the austerity of the great depression and WWII. I can see its cache in the swinging 60s, but 20Carats belongs back in the 40s. Its well put together, structured and quality. Today, if you bottled it differently, it would be an exotic niche.
Top notes: bergamot, cherry, orange, cinnamon, nutmeg, clove and aldehydes
Base notes: sandalwood, ambergris, oakmoss, tonka, musk, balsam, tobacco, patchouli, vanilla, benzoin and vetiver
Just to note for collectors/time travelers : There is a lotion that was made in mexico with a white bakelite cap. It is very smooth and mild. The cologne made in the USA is stronger with the silver cap. Both have gold flakes in the formulation. Later editions (1980s) do not have the gold leaf.
It was marketed as a female fourgere. Beautiful for tobacco lovers
Ancient ingredients of perfumery mixed together into a classy, gorgeous scent. A little leather, little naughty and opulently refined. This is gorgeous with my chemistry. It isnt going to hit you over the head with its obviousness or overt raunch like a Salome, but this is sophisticated sexy. A signature scent and love. A++. An ancient blessing in a bottle. Great on a womans chemistry.
Damn IFRA to hell. I love this idea behind Salome and its well done considering the restraints of the regulations and aroma chemicals of today that make it impossible to put out a great animalic fragrance, forcing perfumers to rely on a heavy dose of cumin to make anything smell like something naughty. It was first done in re-formulated Rochas Femme, and done well but paled to the first formula, and even Lutens MKK and his love of cumin in his cannon of fragrances. So what we are left with is a holographic idea of sexy rather than the real deal. God bless the creator of Salome that came up and executed this idea with her hands handcuffed by these agencies. This was magic to pull off what she did.
The opening is rather intriguing with a blast of jasmine and cumin, and once it settles down into the heart she is very wearable but there is always a certain level of irritation with the animalics chosen but its no where near the level of Bogue Maai. Its easily forgiven here with a creative licence of the perfumer. I feel this would be devastating on a man rather than a woman, but feel both sexes can wear this well as a modern animalic. The best part is the drydown. Worth a sample and try.
Daniel Moliere, who is also responsible for Eau de Givenchy, Fleur D'Interdit, Givenchy Insense, CSP Eau de Naphe, LaRoche's Clandestine, and Jacomo's Paradox is the mastermind behind Balahe.
It has withstood the test of time as it is a softer presentation than the note pyramid suggests. At the time it was not a iconic powerhouse of the day like Poison or Opium which reveled in an overdose of their identifying notes, but a niche like quality that was so well blended with its complexity, it never became vulgar or too much. Balahe was the quiet man-slayer wrapped up in a feminine powdery, vanillic, opulent floral.
The clary sage, coriander, anaise, civet purr and aldehydes open Balahe, it comes off foreign as a good oriental reminds you of far away places never seen but dreamed of in the night. The plums, pineapple and fruits sweeten Balahe counterbalanced by the mandarin and bergamot citrus.
The magic happens when the heart opens up and the flood of orchids, tuberose and rose are supported by a soft richness of ylang, orris and iris to keep this extravagant, plush and soft upon the fruits receding in the background. Balahe finishes in a powdery vanillic sandalwood, sweet opopponax and animalic warm civet, yet the civet doesnt growl...it purrs seductively.Its best with the cooler temperatures but can perform well in the warmer days of spring. A gem of luxury housed in a black mysterious bottle and red silk Japanese cord holds the stopper intact. Masterful composition and blending by Moliere.
Its beautiful. I keep lucking out and getting the huge 6.8oz bottles for next to nothing..Universe is telling me something about this fragrance....
Its a well dressed floral with a sharp opening. The mignonette and the citrus gives it a sharp introduction.Hyacinth,Jasmine, Heliotrope and tuberose in the heart, with a amber musk drydown.
This is in the vein of YSL Y, vivre, etc..the green hyacinth dominates so make sure you enjoy Hyacinth. It reminds me when moms got dressed up to go to dinner, has a night on the town after they kissed you and put you to bed. Mature in nature.
Its a good fragrance but so many better in this genre. Its a good buy but YSL Y did it much better in my opinion.
With Vintage Lanvins, Extrait is generally your best bet.
Eau Prextexte is a delicate floral-leather.
Top notes: aldehydes, bergamot and narcissus
Heart notes: hay, rose, carnation, hawthorn, opoponax and iris
Base notes: leather, castoreum, patchouli, rosewood, ambergris, sandalwood, tonka, vetiver, civet, oakmoss
The ambergris in the base has aged so smooth to the point it makes it hard to delineate the notes. The leather quickly shows herself in my bottle and its one of the softest best done leathers Ive run accross. Dont let the list of the base notes fool you. They behave very well and expertly blended.
This is not powerhouse, but a throw backs to a toilette and lightness of fragrance. If you want a more pronounced experience, get the extrait.
First applied, it reminded me of Vintage Piguet's Visa. Caron's En Avion came first.
Rich, dense floral, neroli, carnation spicyness, a lilt of leather and honeyed lilac...and a nod of animalic touch to set off the florals. Feminine, sexy in the vein of such vintage classics such as My Sin extrait as well. The depth is as rich as the ocean and the world opulent for these times comes to mind.
Modern sensibilities may have trouble with it, but if you are a vintage Caron fan this is lovely.
Vintage COCO (84) EDP.
COCO is the goldilocks "just right" of Orientals. Old luxury is a slightly understated, quality experience. That embodies COCO.
In its historical genre there's Opium (77), Cinnabar (78), Diva(83), Teatro Alla Scalla (85), Incognito (92).
Review for Vintage COCO EDP
COCO is the most balanced in the genre. There isn't a main ingredient you can point to and say "thats what dominates in COCO." That is its true strength. She is all her own done in Chanel style. You can see echoes of Diva and Opium within her DNA, yet balanced and refined for the Chanel house.
Her spices are never overdone, her fruits are luscious, the rose is a beautiful feminine addition. Its as beautiful as an Oriental can get. She will be loved because there isnt a part of her that stands out too much, or not liked for not having a distinct identity and perspective. Perfect example of a well crafted, strong, classy, non offensive benchmark in perfumery. The only reservation I have is when hunting the vintage, in my experience the strength fades overtime.
This is so cold, it makes Guerlains Parure look like an earth mother. She's elegant, beautiful and unobtainable. The aldehyde opening is there to ward off the masses that love their La Vie En Belle. Chanel 22 seems like a warm crackling fireplace compared to this one. Imagine a grand open ballroom with shiny marble and crystal chandeliers. Thats 1932.
The heart opens up freshly beautiful with some spice. The base begins to warm her up but there is a very ice cold duality to 1932. Elegant ice queen in public, and after a few drinks loosens up a bit but she's still distant and in control. If waterford crystal had a smell, this be it. Silage is low, understated, rich elegance. Not for everyone. Drydown reminds me of Shalimar PI. More you spray longer it lasts. Recommend skin and clothing like a scarf. EDT version reviewed.
Growing up and spending a lot of time at the ocean during summers and winters you get a good handle of what the beach emanates as its fragrance.
This is a misty evening at sundown and the salty spray surrounds you. Its light, with distinctive presence like the sea air. I was delighted and transported back to the shores of my childhood, in a modern chic way with nostalgia. It works on me. Surprised. Its a sentimental charmer for me...and I agree..a Mermaid would smell like this...
When I smell Miss Arpel or something like its green opening- I smile. In its time..green fragrances were the hallmarks of a youthful consumer. Springtime, fresh, lively with some florals. Tendre poison, although a powerhouse went green and marketed itself as a lighter version of Poison, finds itself in this genre as well as Miss Arpel, Jolie Madame, Ma Griffe, Crystalle Edp.
Green, little herbal and bitter with a clean lemon uplifts the spirits and adds a clean character. Natural smelling perfume. The florals rise from the green as if they are starting to bloom from the green ground. I do not get much fruit except for the watery green melon and no peach so dont think this is a tresor type scent it leans much more green than that-more closer to Y by YSL.
Its a different, classy affordable green floral. Ellena has restrained the oakmoss to its valuable use to enhance the fragrance rather than dominate it. Its classic, elegant and great daytime scent.