Sycomore Eau de Parfum 
Chanel (2016)

Average Rating:  11 User Reviews

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Sycomore Eau de Parfum by Chanel

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About Sycomore Eau de Parfum by Chanel

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Fragrance House

The company says:

In 1930, Mademoiselle Chanel had already dreamt of a woody perfume that would stand apart. The result is SYCOMORE: a dry, noble and powerful fragrance. A metaphor for her legendary tenacity perhaps? In any case, it is a perfect illustration of her masterly stroke of elegance: this luxurious vetiver, subtly dashed with spices, enchants with its aristocratic simplicity and leaves a long warm breeze in its wake. An exquisite scent from the LES EXCLUSIFS DE CHANEL collection.

Fragrance notes.

  1. Top Notes

  2. Heart Notes

  3. Base Notes

Reviews of Sycomore Eau de Parfum by Chanel

There are 11 reviews of Sycomore Eau de Parfum by Chanel.

The EDP lacks the dark, smoky mystique of the excellent EDT, but it's nice enough on its own terms.

As many have noted, this is similar to, but more full-bodied and rounded, than Encre Noire, but I'd still opt for Encre Noire at the end of the day, because it's more striking in its severity and commitment to the concept.

I've tried the EDT. Wasn't overly impressed. I felt the need to revisit Sycomore, in the EDP version. My tastes have changed over the years, and they are ever-changing constantly. I seem to enjoy and appreciate Sycamore more now, than previously.

The top notes are clear, almost cool. Borders on woodsy but, not entirely woody. More herbalish, actually. Everything here is nicely blended. The cypress & vetiver stand out for me. The violet is gentle -- not overly powdery.

Settles with herbals sticking around, with a lovely, fizzy, balsamic accord. Vetiver being the thing I love about this. I'm glad I revisited this one. I love it now, as opposed to, just like.

Very up-lifting!

Reserved 'cold' hearted billionaire business man, Chanel 'Sycamore' is a man who has no interest in anything but his parents, siblings, the 3 close friends he grew up with and all his business endeavors. He only came to the party to possibly make new business allies and strengthen the already existing ones. Dressed in a million-dollar dark grey suit, this man oozes money........ but that doesn't matter because he could be wearing sweats and a jumper from target and STILL make it look a million bucks. Dark, curly, thick, silky tresses of hair hang on his forehead, brows thick and dark pulled together as if his mad at the world, a prominent stubble making him look at lot more manly, mature and serious then he already is, he subdues power and authority. 'Sycamore' does not mind getting a bit brash, he says what he needs to say, no matter the consequences. If your feelings get hurt, then it gets hurt- you need to acknowledge this and move on. He commands the room by lifting a finger. If you can offer him something that will aid his business than his all ears, but if you cannot then you need to move along.
You don't know anything about him other than what he does for a living and even that is kept to a minimum.
Shoutout to Demi Rawling from YT for recomending this.
This is what I envision when I smell this.

I had to spend a long good amount of time with Sycomore. The opening notes are brash and extremely off putting. I admit I was scared off my first smell test on the paper strip - astringent, headlong, sharp, very in your face about it. Coming back to it again, on the paper the woody notes are extremely prominent, still very edgy like freshly cut wood.

On my skin it's a very soft and velvety wood, nicely balsamic and very comforting. On my husband the juniper notes are more prominent and it truly does change and meld with whomever the wearer is. Sycamore is a clear winner in the eyes on my better half when he asks for another wear of it and perhaps it does appeal to the masculine nose more than the feminine.

Sycomore is another example of why perfumes on paper often deceive and are best tested on the skin. I also enjoy that each wearer bring different notes to the forefront.

Gabrielle "Coco" Chanel is purported by the house to have "dreamt" of this scent back in 1930, and the original nearly-undocumented version that has been smelled by few in modern times was described by those who had as a rather gamine vetiver and sandalwood affair made minimalistic feminine with violet leaf and soft tobacco. I'm not sure if the modern "Les Exclusifs" prestige variants of this and other antiquated scents were reinvented out of necessity due to lost formulae, or just to make them marketable to modern noses, but what passes as Sycomore (1930/2008/2016) these days is something very stripped-down, with a nutty shade of the vetiver root stretched over creamy sandalwood and ambery warmth, with an aldehydic head. The scent first relaunched in an Eau de Toilette strength, which according to those who owned that version, had more aldehydes and a smokier, more masculine vetiver not too dissimilar from Jacomo de Jacomo (1980) or Roger & Gallet Open (1985), but the Eau de Parfum version made available since 2016 has a richer base and dialed-back top/middle, letting the sandalwood do more of the talking, bringing it more in line with the modern version of Bois de Iles (1926/2008/2016), another Les Exclusifs "Zombie Eau" re-imagining. I like Sycomore, but I have the feeling this is more a release for the Chanel faithful than somebody seriously exploring their options in this category, because the Les Exclusifs range caters to women mostly in their adverts despite the unisex listing of the scents themselves, and vetiver for women is like a fougère for women, a rare and rarely-accepted lark that either soars or fails dramatically, which may also explain the fate of the original as well. Coco Chanel didn't seem to care about gender conventions much in her lifetime, which is an incredibly good thing that sets the house apart, but makes for a really odd back catalog, and convenient fodder for these ultra-luxe re-issues that aren't meant to sell by the bucket.

The opening of Sycomore is quite comforting out of the sprayer, with aldehydes and juniper carrying aloft a soft and earthy Haitian vetiver note on a bed of pink pepper, likely a carry-over from Bleu de Chanel (2010), where it's use as a carrier note was first really put to test by house perfumer Jacques Polge. Christopher Sheldrake, creative director for the cosmetics and fragrance ranges, dabbles in perfumery here too and assists Polge with the reworking, and although violet leaf from the long-gone original Sycomore survived the reformulation, the tobacco did not, being replaced instead with a synthetic cypress note that's likely just Iso E Super magic. The vetiver is conjoined to the hip with a rather nice sandalwood that recalls Égoïste (1990), another Polge hallmark for the house, with a composite amber accord finishing up the base in warm woody semi-sweet glow. There may be a peck of oakmoss here too, but likely if there is, it's within IFRA tolerances, but was likely more prominent if part of the older 20th century formula. I can only guess at this point as there is a bite of something that could be, but it's too slight to say. Sillage is moderate with an intense skin glow, like most eau de parfum concentrations, with very respectable longevity you'll need to scrub off to rid yourself of when done wearing it. Office use or day wear in fall is great, but this isn't romantic or good for hot weather, nor extreme cold, as it's just too middle-of-the-road with it's warmth and projection to do well outside room temperature. I give it a thumbs-up, but with a hard caveat which follows.

Sycomore is a great vetiver for folks who don't like the grassier or smokier elements of the plant, and follows a similar muted nutty vetiver vibe as Calvin Klein Reveal Men (2015), but without the mastic and synthetic tropical fruit adulterations that CK predictably stapled onto their vetiver. Sycomore smells rather natural for a modern perfume, and it had better for the $200-$350 price range a 2.5oz or 6.8oz bottle will cost you, which brings me to my point. The market became practically flooded with new vetivers high and low, ranging from Vetiver Extraordinaire by Editions de Parfums Frédéric Malle (2002), to Lalique Encre Noire (2006), the aforementioned Calvin Klein, and most recently Terre d'Hermès Eau Intense Vétiver (2018), plus all the classics like the Jacomo or Roger & Gallet entires and even the gold-standard Guerlain or Givenchy entries still sitting on shelves. Sycomore was revived at a time where Vetiver has become the "It Girl" for men's fragrance once again, and marketed as a unisex but feminine-advertised posh prestige option few guys looking for a vetiver will notice, since even sales personnel are likely to dissuade a man from testing it. This stuff is an absolute must-sample for vetiver or sandalwood freaks, but outside that small niche-within-a-niche, Sycomore won't be a frequent reach, especially at it's premium price. A nice scent and a really pleasant experience that marries modern sensibility with old-school quality, Sycomore is expensive nicety when just plain nice is good enough, almost custom-built for the vintage perfume fan disillusioned with standard designers, assuming they can afford the price of admission. But for anyone else wanting to explore the style this runs in, there are more poignant options at friendlier prices which take precedent.

EDP 2016
Chanel is using a base in this that revolves around
a sweetened Wood. While it rounds off some of the sharper bit's making it, as a couple of women, (including my Queen)easier for the Feminine to wear, IMO it loses some of the things that make it exceptional for the Masculine. Therefore it is still a very good perfume as most Chanel's are, however loses it's "ganja" sparkle.

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