Reviews of Silver Cologne by Amouage


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It starts heavy plum rose amber sandalwood. It so heavy that you think its going to be a wash off. Then it settles leaving you with orange musk and vetiver , almost becoming fresh and you think wow, just like Creed Viking its worth persisting through the opening. But in calamitous contrast this continues morphing and drops its pants even more leaning heavily towards the feminine with florals and patchouli.
Not for me but it does take you on a roller coaster journey. Some may like it just for that!
Fragrance: 6.25/10
Projection: 7.5/10
Longevity: 7.5/10

As in many cases, it's not the sharpness in the opening that is prohibitive for me but the odd fruity/musky dry down that is simply displeasing, but I realize that this is just a matter of opinion is that is not one of the crowd favorites among Amouage fragrances.
Projection is decent but longevity leaves a little bit to be desired. Sample first, for sure.
5 out of 10



The top notes are perhaps the most noteworthy aspect of Silver Cologne: a very bright crisp citrus, some deeply indolic white flowers, and clear, dry incense. There's a bit of the ripe animalic accord from Amouage Gold for Men as well, but in this instance it's far more subdued and tightly integrated.
As the floral and animalic notes settle, Silver evolves into a somewhat herbal eau de Cologne structure with Amouage's trademark silver frankincense layered on top. It's far more wearable than the baroque Gold, but nowhere near as novel or complex as Amouage's Dia or Jubilation XXV.
Like everything else from Amouage, Silver offers expansive sillage, though without the stupendous wallop that characterizes Gold. Silver's drydown combines sweet balsamic notes, smooth woods, and a touch of creamy iris, and in line with the cologne designation, is far less tenacious than most of the other Amouage offerings I've tried. My final verdict is that while Silver Cologne is pleasant, wearable, and well made, it lacks the distinctiveness of the other Amouage scents even the ones that I dislike.






The languid heart accord of ylang and heliotrope lends a solemn air to what is a pretty slinky beast. And the base, which seems to have the best of old school Guerlain powders shimmering within it, retains an air of mystery. Silvery it is, in the sense of the mercurial play of light on the pelt of a black jaguar, a creature of potency and grace. Curiously, seems to freshen as it ages on the skin.


Very crisp and almost suffocating opening.
After 10 mins it gets better, but not by much.
Very close to the skin, little projection, similar to Dia in that aspect.
Tart and sharp...
Not a bad fragrance at all but not worth as much as they sell it for.
Perfect for spring \ summer.
I totally get the modeling clay note as described by rogalal...I find it somewhat pleasant, but I think that's just because the opening is so awful.
Neutral rating...not bad but not worth the price.

Gold is arguably the shining sun of AMOUAGE but "Silver" is the shining moon.
It is a little bit lighter than "Gold" and somehow the "little sibling" with a similar familiar face but still very different.
I find the orchid component very interesting and exotic.
The combination between all those wonderful florals: orchid, ylang-ylang, orange blossom, jasmine, rose and heliotrope makes this a powerful and romantic scent that yearns for love and passion.
Just like a full moon night does!
Highly sensual and sexual.

Silver has the same sparkling lemon champagne aldehyde topnotes that are wonderful in Gold Man, and also incorporates some of the same powdery flowers. It's also got fougere elements, with bright lavender alongside the aldehydes and a tobacco-ish tonka that comes in later in the heart. It's also got what appears to be an overdose of frankincense as well as a generous dollop of civet.
Somehow, given a little time, this all comes together into a strange smell that's something like a big clump of modelling clay in a stinky bathroom that someone tried to fix by spraying Chanel No 5. I know that sounds awful, but it's actually quite compelling. I loved it at first and it actually took me a few repeated wearings to determine that I just wasn't happy with the way the tonka and the frankincense came together into that weird clay note (strangely, the bathroom stink, which I assumed would be the problem, ended up being kind of charming in a very old-school French sort of way). So I can still confidently give a thumbs up, even though I personally decided I didn't need a full bottle.
As a side note, I was able to smell the current EDP next to the classic "cologne" at a well-stocked perfume store, and they were quite similar, though the cologne put way more emphasis on the sparkling lemon champagne/lavender while the EDP was much more rich and full, with the heart notes prominently filling out the scent right from the start.


The whole project seems designed to demonstrate -- as if settling a bet -- that even the most ordinary and humble structure can be ennobled with the high-ticket Amouage treatment. And I suppose it works; Silver Cologne is more nuanced and more interesting than the average drugstore fougere. But the sophistication mostly comes across as petulance. The juice's relentless glumness ensures that it will never be mistaken for a fun, lighthearted cologne.
Fortunately, you won't have time to sink into a state of depression, since the active state only lasts a couple of hours. The drydown is a muted skin scent, vaguely sweet and pastry-like.
If you meet Evelyne Boulanger at a Paris soiree and want to make a good impression, don't say, "I loved Amouage Silver Cologne!" Just say, "You were right all along."


Anyhow, Silver is a bit sharp, and is definitely quality, but the overall scent is similar yet inferior to Ciel. In fact, it's so inferior to Ciel that I don't see myself wanting to wear it again, and yet Ciel I'm going to spring for.
How's that grab ya?

