Paradis Perdu fragrance notes
Head
- Bergamot, Grapefruit, Citron, Yellow Mandarin
Heart
- Basil, Spinach, Vine, Ravensara, Galbanum, Elemi, Paradisamide, Vetiver
Base
- Hay, Virginia Cedarwood, Rosewood, Labdanum, Precious Woods, Mosses, Musks
Where to buy
Latest Reviews of Paradis Perdu

It's sharp furious opening. Then it settles a bit and opens the door to a little labdanum and elemi, which sands off some of the angularity and buffs down the noise levels. The hay makes a bold and pungent statement right out of the gate, but is firmly anchored on a deep woody foundation with just a hint of funk to keep things interesting.

Money better spent on the cognac
Frapin seems to be lost when venturing outside the liquor-based scents. Although with “Paradis Perdu” it tried harder than the aromatically orphaned and crippled “L'Humaniste”. Yes, there is an almost astonishing and very interesting green oriented opening, placed in an alcoholic-based (not citrusy-based!) sour-acidic geometrical aromatic sphere. First time I encounter this so prominently, and a remarkable merit that I think needs to be paid attention to.
Other than that, there is nothing enticing or charming about “Paradis Perdu”. The unique opening quickly deteriorates into an above-the-average powdery synthetic metallic violation, cutting through your throat, brain and lungs. Quite pronounced and, frankly, obnoxious as time passes, so brace. Yet, some weird umbilical cord between the green sour acidity and the chemical drydown remains, bearing witness to the poor structure of this perfume.
Even if that alcoholic sour acidity were to somehow be decoupled from the artificial base and maintained on its own, this would still be insufficient to stay with “Paradis Perdu”. With this one, the money for one of “Paradis Perdu”‘s bottles will be much better spent on one of Frapin’s cognacs. Stick to the them.
Frapin, Paradis Perdu:
Composition: 5.5/10
Complexity: 6.5/10
Development: 5/10
Naturality: 4/10
ADVERTISEMENT



Paradia Perdu has the following notes listed on my sample. Top: bergamot, grapefruit, lemon, mandarin. Heart: basil, elemi, galbanum, grape blossom. Base: hay, labdanum, moss, musk, rosewood, vetiver, cedar.
As a result, it reads like the structure of a classic chypre. And in broad terms, that's pretty much what you get. However, there are a few surprises along the way. To start with, there are some subdued citruses, especially grapefruit, with an earthy rather than zesty edge. The heart is the most outlandish - vetiver joins the grapefruit, but there is also something there almost mentholated in character. At this stage the scent is sharp and fresh. The drydown emphasises a vetiver that is friendly and spicy, highly accessible and without the sharp edges of something like Guerlain's vetiver. Never overpowering, PP constantly challenges you to guess what is coming next.
I find it wearable, original within generic limits, and fulfilling. Possibly I am reading too much into the name and marketing, but perhaps the answer to Darvant's conundrum - that PP is wild but at the same time civilised - is a nod to the subject matter, the point in mythical time at which nature became as much an enemy as a friend.
Pretensions aside, this is a modern but generically correct take on a green aromatic chypre and would be recommended for those who have a taste for such things. No complaints from me about longevity and sillage.
