No. 19
Chanel (1971)

"The Outspoken Chanel". Straight from Tokyo vintage No.19 parfum comes to me, and she is fine. Lots of powder, galbanum, rose, moss and leather with none of the soap that, I find, makes No.5 too challenging. Younger, more relaxed and carefree than other Chanel perfumes, this was Coco Chanel's last fragrance she was directly involved with, and it is her best. This is a floral heavy chypre, meaning this is most certainly not unisex at all. Strictly for the ladies and girly boys like me!

I am writing this review without ever experiencing the vintage original. And my first experience with 19 was the poudre version, also modern formulation.

At first, I couldn’t really detect a huge difference between this and Poudre. I actually had to spray them each on their own arm to smell the differences. And while I do think they definitely have similarities, there are distinct differences between them.

I do think the opening is similar, too similar for my enthusiastic novice nose to detect any noteworthy differences. But as they start to dry down, I do notice that Poudre really jumps into that soft irisy powder. The Iris is the star of the show. While 19 still has Iris, it fervently holds on to that little bit of greenery from the opening, as well as allowing some other soft florals to come forward. Here, the Iris while still present and noticeable, is a little bit more like a supporting character. These two fragrances, in my mind are definitely sisters, impossibly beautiful sisters. You think you are in the presence of the prettier one, until you put the other one on. Both absolute winners in my eye for truly remarkable fragrance. Both leave me wanting more when the scent eventually fades.

One thing I don’t really get… and maybe it’s because green fragrances really haven’t been considered “in style” in my lifetime… is the almost constant references to this being cold and bitchy. To me it is not. I get beauty, intelligence, confidence, and timeless sophistication. And that’s really with both 19 edp and Poudre as well.

I don’t think anyone ever made a perfume more perfect for daytime wear than No. 19.

Despite its reputation as a cold, austere, and bitchy scent, I actually find No. 19 quite undemanding, even in its vintage iterations, but maybe that's simply the case with fragrances we love. I find myself gravitating toward it on weekends, when just relaxing, housecleaning, or running errands. It’s my go-to fragrance for casual and unfussy days.

It’s also somewhat seasonless, as the extrait has enough heft to work in winter. I wear and love No. 19 year-round.

I also find that compared to many other green florals, No. 19 stays quite ‘green’ quite deep into the drydown. Because of this I consider it the ‘queen of green’, and it’s a top favorite in the green category. I know galbanum is a top note, so am unsure if the lasting green effect here is perhaps an illusion, caused by its marriage and blending with other notes.

In any case, I consider No. 19 both a technical and aesthetic masterpiece, and hope to never be without it.

This review is based on the vintage extrait and EDT.

The world is changed.

Much that once was is lost, for none now live who remember it.

Thousands of years from now, a Gandalf-like perfumer combs dusty archives, looking for clues. Looking for answers. What were these great works of art like before we changed them? Before we lost them?

Chanel No. 19 is the best fragrance ever created. There's nothing better. I wish everyone could have the same experience I did: I was fourteen or so, having fun in a cosmetics store, smelling different perfumes and suddenly-- there it was. Heaven. Perfection. Clear and simple and exponentially better than anything else.

I hadn't read a thing about it, and I only discovered years later that Chanel No. 19 is considered to be a "bitchy" or cold perfume to be worn by heartless cold bitches. This is not true. Don't believe those reviews. Those are words written by damned souls.

It's easy to hate something because it's beautiful. I can forgive this kind of jealousy; it's so transparent.

Harder for me to forgive are the changes to Chanel No. 19 itself.

No, stop. I don't want this review to be yet another ode to the past, another "back in my day" whine, a howl about how the band is much better live and how you kids will just never know what you missed. More and more that kind of review disappoints me. Because things change. The world changes. Perfumes change too. I'm getting older, you're getting older, there is no Santa Claus and the cup of coffee you just drank is *much* closer to your last cup of coffee than it is to your first.

Still. It's hard for me not to cry about this one. It is my precious and I do collect it to somewhat ruinous effect.

Green,floral and creamy. Unisex classy gem.7.5/10

It is disfigured since it was discontinued and reformulated ..... after the powdered 19 .... The color of the liquid is changed too ,it went from yellow to green and they removed the vetiver galbanum and the oak moos by some white musks (they did the same with the N ° 5) If you have the chance to own the 1980 version of the perfume (the yellow one) the vintage, estimate yourself happy, you know the true version of the 19 ... Les others who want to be "modern" are pale copies of a perfume that was iconic and wonderful, really cold "heat under the ice" .... A little "bitch" and terribly attractive .... They made a banal version that does not even deserve to be sprayed in the curtains.

 Find the vintage version or forget this new erzats, this substitute who wants to be modern and is nothing good, it does not even deserve to be used to clean your windows. this review is for perfume extrait.
Edt & edp are worse. La Maison Chanel ( Chanel House)trying to regain lost customers by doing "Modern" .... lost her soul./