Italian Leather fragrance notes
Head
- Tomato leaf, Vanilla, Leather
Heart
- Rockrose, Galbanum, Clary Sage, Tomato leaf, Iris
Base
- Vanilla, Sandalwood, Tolu, Opoponax, Myrrh, Benzoin, Leather, Musk
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Latest Reviews of Italian Leather

Although the leather here is blended with lots of herbs and lots of green notes, the outstanding note in this has to be the Tomato Leaf, it may not be liked by the masses, but I think it is fantastic.
This also has touches of sweetness coming from the vanilla.
Myrrh and Clary Sage add to this lovely green note.
In my collection this is quite unique.
Far from traditional Mass pleasing designers out there, so a big thumbs up from me.
Overall Scent 7.5-10
Performance 7.8-10
Silage 7-10

Its most impressive trait is its dissonance. Smelling "Italian Leather" is like smelling two or three perfumes at the same time, one of them is a pungent, somewhat sour botanical impression, like stepping into a greenhouse where the evaporations of plants have taken on a beastly thickness, verging on zoo-like (indoor sections, monkeys, bats, spiders and their excretions). Amongst this green hemisphere of the scent may be a mediterranean impression which I experience as, if anything, fleeting, and which I probably would not have identified as such without that idea being suggested by the perfume's name. In parallel to this challenging greenhousy impression which evokes a natural world full of unfair events (nest robbery), coexists a non-consolatory sweetness with an industrial aspect to it, which makes me think of marshmallows or scented plastic toys more than vanilla, verging on decay, reminiscent of Etat Libre D'Orange's pursuit of 'morbid sweetness' in "Charogne", which is based on the idea of a rotting carcass. This sweetness and the dung-spiced greenness remain almost entirely in a neighboring relation which leaves me with a stimulating sensation of incomputability, and makes "Italian Leather" very modern to me. It's an adventurous scent, on a mental more than just a sexual level. Its resinous quality qualifies it also for cold weather.
As much as I like it, I understand very well why many people feel suspicious of Memo. I agree that their products are overpriced and the whole concept of the "Leathers" in combination with the strong emphasis on elaborate bottle design seems strategic in a sense that does not raise hopes for the most excellent craft behind the perfumes. The idea of coming up with 8 different leather scents is not without its charm but there's also something a bit forced about it: what if you just can't generate as many great scents around that one idea?
I don't know a lot about Sidonie Lancesseur's other work but in "Italian Leather", she has created something interesting, provocative and modern.
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The performance is impressive with big projection and 10+ hours of longevity.


