The name translated to English means 'In Passing'. The fragrance is a fresh composition with notes of orange leaves, cucumber and absolute wheat.
En Passant fragrance notes
- orange leaf, cucumber, wheat
Latest Reviews of En Passant


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En Passant, Eau de Magnolia, Carnal flower.
En Passant is that innocent young sister, simple, linear, transparent.
Eau de Magnolia is the educated older sister, much more refined, an impeccable sweet young lady.
Carnal Flower is their femme fatale mother (let's assume femme fatale also have kids, for whatever reason), who probably murdered their father and inherit his fortune: sensual, attractive, deep, full of unexpected turn.

A lot has been made of the perfume's cucumber and wheat notes, how they modulate the central floral accord and keep it from becoming too sweet, too simple. It's true that the accord is unexpected. And it's remarkably effective in creating the detail that lets the perfume simultaneously portray a single flower and an entire season. But embedded in the accord like drop of ink in paper is a waxy/nutty, almost tactile facet. It widens the central floral sketch and gives the perfume's trail weight and momentum.
Depending on whom you talk with En Passant is either an essay on rain, a sort of modern descendant of Après l'Ondée, or a lilac soliflor. Impressionism or representation. Visual art terms only have ballpark accuracy when applied to perfume.
Representation is tricky and the assumption that recreating nature' is perfume's highest modality is still widespread. Giacobetti, like Roudnitska before her, challenged the premise. His answer to the question of how perfume relates to nature was to compose a detailed muguet soliflor still life. From her fig perfumes for Diptyque and l'Artisan Parfumeur to her carrots, irises and roses Giacobetti offers a succession of solutions to Roudnitska's question, as if to imply that there are at least as many explanations as there are subjects. With En Passant, she creates a faithful lilac soliflor at the same time that she offers a more upbeat vision of a rainy day than Jacques Guerlain's. It's a fantastic accomplishment for a seemingly simple lilac soliflor.
from scenthurdle.com

Further down the track this is mixed with a yeasty note, as if sniffing a wine barrel whose content is undergoing fermentation. There is a fruity undertone, but on me this is never really a sweet composition. This overall impressions lasts until the end.
I get moderate sillage, very good projection and ten hours of longevity on my skin.
Lovely in spring, this scent is not very complex and at times a bit thin, but it is made of good-quality ingredients with some creative twists. 3.25/5.
