Reviews of Cologne pour le Soir by Maison Francis Kurkdjian

The 2010 release that followed, Absolue Pour Le Soir, by contrast, is denser and more animalic, but, as many have said, CPLS is an easier wear, and though I would gravitate toward wearing it in the cooler weather and evenings primarily, it's still a mostly-year-round-friendly option, something less likely to scare people away than APLS. And, as some have noted, despite the similar name, amber centricity, and juice color, CPLS is quite different from the sweeter cinnamon Grand Soir, recently more recently in 2016.
CPLS performs reasonably well, and though it's not nearly as strong as APLS, it creates a good scent bubble and has good lasting power. It looks like CPLS, like APLS, is discontinued, though, which is a shame, as it's a very nice fragrance.
8 out of 10

It is gentle yet noticeable, of this realm yet otherworldly -- wood and earth meets powder and honey. It is pure pleasure and long-lastingly so.
It is courageously tender and admirably vulnerable. It is unassuming in its excellence but its courage and heart are unparalleled. It embodies fearlessness while foregoing shamelessness (unlike its EdP sibling).
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Not much to say that hasn't already been said...
As of now, this ( and it's big sister in the EDP version) with perhaps Xerjoffs Mamluk are my most cherished honey based fragrances. With the latter being more (significantly more) powerful. Which... In this case isn't such a bad idea.
Nah. Retract that last thought.. It's all me with this one. Your welcome to join me but I'm ok if ya don't.
As I mentioned I own both this and the EDP version and the slight animalic nature that sits backstage here... is more pronounced in the EDP version, for those requiring more lust.
There's a wonderful sense of balance and completion in this beauty that is not a common thing when playing with fire. Luxurious. Sensual. Yet it relaxes the senses which can seem like a paradox.
Breathe it.
Breathe it again, but don't force it to become something it's not.
This is for mature audiences that aren't likely to retreat. Standing is the only option.
There are no chairs in the room but don't assume it's empty either.
You are there.... And that's enough.
The opening- it dazzles me with that honey/rose that's been around the block a few times ( wink wink).
When it settles in your only subconsciously aware that your smitten. There's no retreat. It owns you and not you it... as it slips out of sight.
But not soon as 8-10 hours is not uncommon.
Your never quite (at least for me) ready for this when it arrives with all it's splendor.
Looking at the pyramid makes no sense here ( when does it?)
Just imagine it and wallah!
Incense.
Skank.
Rose.
Warm honey.
Some booze? What the heck.. Sure.
The blending? Not a flaw.
It's somewhat an enigma as it's both gentile/soft and luxurious. Yet you sense this beast in there... somewhere.
Lurking quietly and your taste for lust just makes it retreat even more.
Leaving you at its mercy.
Helplessly I try to ignore my wanting but alas ... Fail.
Cologne pour le Soir.... You win.
I'm glad
9/10
Ciao

The sillage is moderate, the projection very good and the longevity outstanding - eleven hour on my skin.
This autumnal honeyed spicy fragrance is nice and never heavy- just the right measure, albeit not super-original. The blending is very well done. 3.25/5


I see it as a playful experiment. It's powdery.
This has started me off on a bad foot with Maison Francis Kurkdjian (MFK).

Intriguing scent unique. Apparently it's a skin-scent variation on the cologne concept. And instead of citrus and fresh green, it builds itself around incense absolute, benzoin, honey and rose obviously it is an evening scent. I was thrown off-track with the first spray when for a couple of seconds it reminded me of an 80s powerhouse but then it settled down in a minute or two to the subtle incense absolute which smelled like an incense odor that doesn't have a resinous emanation. By five or ten minutes into it, Cologne pour le Soir had settled into its skin scent persona, and stayed there for an two or three hours: It is a gentle infusion of benzoin, rose, and incense; it is airy and stays close to the skin; and every once in a while I think I smell a bit of civet or indoles floating off the skin. Maison Francis Kurkdjian's Cologne pour le Soir is sophisticated, subtle and incredibly sensual.

Your guess is as good as mine about why it's called a cologne when it has none of the citruses or herbals associated with that category. Maybe because it wears light and gauzy. I'd suggest the second half of the name is an important qualifier if colognes are bright and breezy scents with a sunny disposition, this is perhaps Kurkdjian's take of an after dark version, quieter, wearing chiffon, relaxing on a lounger. More mundanely, this is fine any time of the day, really.
Cologne pour le Soir's notes are pretty abstracted: the rose here is a bit like the rose in Parfum Sacre, the benzoin (if the minuscule amounts permitted by IFRA can be evident in a composition) lending a slight vanillic tone to the generally balsamic feel of this perfume, the honey is again reminiscent of skin. What matters is the statement it makes is direct and it says something like: Come here, let me hold you close, let me sniff the back of your neck.

He reconstructs the Eau de Cologne not on hesperidic notes, but on benzoin and rose, materials you might expect to find weighing down the classic oriental. He pares down rose and benzoin, making them lighter than air yet true to character. By focusing on the qualities and timeframe of the experience, Kurkdijan remains true to the sensibility of the Cologne, but gives us something new.
In traditional Cologne the topnotes have a half life measured in minutes. Kurkdijan extends the topnotes of Cologne pour le Soir, giving them a less rushed pace and fragrance unfolds with a confident stride. The spiced resinous drydown is a logical conclusion to the fragrance yet feels as novel as the topnotes. At the start of the fragrance Kurkdijan reconsiders the Cologne but in the end, Cologne pour le Soir reinvents the Oriental. It has a subtle intensity and sidesteps both the weight of the traditional oriental and the ringing 'radiance' of the modern woody amber. Cologne pour le Soir highlights Kurkdijan's talent for incorporating new olfactory configurations into his fragrances without fanfare. He avoids gimmickry, instead focussing on the overall integrity of his fragrances. Despite its conceptual basis, Cologne pour le Soir feels effortless. Kurkdijan done the heavy lifting and we can kick back and enjoy the ride.
from scenthurdle.com


it starts with a gentle fecal note, but not offensive, that when rose kicks in you wonder how nice this turned out after all, and then feels like a cloud over you , of soft cashmire blanket! thats it! it warms you up!
and i found out later that i dont like to have cashmire blanket over me as a perfume, it reminds me of an old school perfumes, by the atmosphere, like Bal a versailles, the concentration is perfect i think becasue in higher concentration this may be suffocating!
Its rtaher simple, but good!!
If i liked the notes it would be thumbs up.


It is quite sweet, and there's honey which I don't always like, but it is not cloying, there is some dryness as well and nicely blended incence which is not too bright but makes the mix fuller. Leather note gives it more body and depth. Longevity is good and projection seemed quite good as well.
To me this scent has an effect of making me think of another place and time. The time is absolutely evening. Place is somewhere in the south coast of mediterranean or maybe southern spain. Outside the old city or village, dry, red sand desert that hard sun has punished. Narrow streets of stones and old buildings in the town. People having relaxed dinners at cosy, airy, colorful apartments with windows open. Laughters, relaxation, some red wine, easy clothing, sensuality, warmth, life.
It reminds me of good things in life. And relaxes me, to feel the moment.


You know when you get a feeling that is hard to put into words. Well the best I can do is say this has a old world meets new world vibe to it. And its down to that very light sensual civet note that has been covered in a powdery honey rose. A very nice fragrance indeed.

A sophisticated and elegant blend of honeyed rose on a slight smoky frankincense base. Masterfully balanced, consistent but discreet and with a remarkable personality. Good work.







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