Reviews of Black Aoud by Montale

Like Red Aoud, projection and longevity are very strong. Montales aren't in the highest price echelon but it's good that for nonetheless higher pricing ($120 / 50ml, $170 / 100ml), an EDP delivers in a powerful way. I'm starting to become convinced that Montale frags are pretty worthwhile, so I'm eager to try more, though more ideally when the temperature drops.
7 out of 10

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As with many others, dialing in on the proper dose for this one makes all the difference. Half spray around the navel works for me. I'm not into big florals yet I've got a softspot for rose. The thing is, I don't want to smell like rose to others, rather I want to be distracted from time to time throughout the wearing with a hint or notion that there just might be a vase-full in the vicinity. A little bit of Black Aoud does it well and for a long long time. Too much and it's a no-go however. There are things worse than gassing out a room by smelling of a ton of roses, but still.

In one word, this fragrance seemed "messy" when applied. Like others, I was curious about Montale's "ouds" and I hoped to experience a few fragrances...try to understand the hype. Like ALL the Montale fragrances I try, the opening of Black Aoud smells like an aldehydic, alcoholic, almost medicinal concoction that literally hurts my nose. Sensing a headache, I feel confused & dizzy...almost sick. I can barely tolerate the development of this fragrance on my skin because for nearly 30 minutes, Black Aoud is all over the place but consistently harsh harsh harsh...LOUD and almost vulgar.
After 20-30 minutes, I detect a bit of rose and BOAT LOADS of patchouli (which I really dislike as a primary note). As others have noted, Black Aoud is a loud, over-whelming, synthetic rose-oud fragrance that is not dark, rich, complex or mysterious. Resinous patchouli...that's about it. Pretty linear in the end with little development and no complexity.
But unlike the other Montale fragrances I tried, the longevity on Black Aoud is strong and silage is pretty high. Hate to say this but I had to scrub, eventually shower and wash all my clothing. And still, this fragrance persisted.
The house of Montale and I do not get along. This is another definite pass.


It is worth trying only if you are curious about what Montale's oud accord smells like, because it is presented in exemplar form here it smells alcoholic, high-pitched and vaguely poisonous, like sticking your nose over a pan of vodka off which you are boiling the alcohol. Personally, I get a desiccated rose petal note only in the opening, after which it is pretty much this boiling-alcohol style of oud accent until you reach the drydown, which is more pleasant and based around a bland patchouli and sandalwood pairing. I don't know where all this talk about a dark, masculine rose comes from. To me, this is an almost blindingly bright and synthetic rose-oud that is neither very dark nor mysterious. It doesn't evolve much and just sits on the skin, belching out these objectionable, almost brutal rubber oud fumes for a few hours and then nose dives into that pale patchouli and sandalwood combo.
I am in the minority on the longevity and projection also it may be the newer, weaker versions I am testing (a mini directly from Montale Paris and a recent sample from a respectable web retailer), but the scent is extremely weak on my skin after the first couple of hours and I can barely perceive it after five hours. It is perhaps worth owning if you are the type of person who likes to collect the important milestone fragrances that have defined perfumery. But above and beyond that meh. You can do better.

Wear this one on a winter evening, while reading Dubliners and sipping a favourite whiskey. You will not be disappointed.


Savage splendor that's Black Aoud: an uncompromisingly dark and woody rose scent that makes hash of the notion that roses are for old ladies and potpourri. In my earlier, unenthusiastic review of Black Aoud I wrote that I was disappointed with the scent because it was linear and had a simple structure. That conclusion, it turns out, was based on two mistaken premises.
First, I have learned over time that simple does not mean inferior. In fact some of the greatest modern fragrances I know have simple structures: En Passant, Parfum d'Habit, and Tam Dao come immediately to mind. So even if Black Aoud is simple, it's pungent oudh, exquisitely rendered rose, and robust leather and patchouli foundation make for an outstanding combination. Indeed, one of Black Aoud's most distinctive and appealing features is its brash, almost barbaric, impact ill served by too much nuance or complexity.
My second complaint, that Black Aoud did not develop, was simply unfounded. Black Aoud does indeed develop, and in interesting ways. The trick is that it takes up to twelve hours for the development to commence! Given Black Aoud's twenty-four hours plus longevity this ought not be all that surprising. When Black Aoud finally does start to evolve the rose note recedes to reveal more of the leather, which in turn takes on a warm, animalic edge. At the same time a rich, creamy sandalwood note emerges from the depths. The wood and leather notes are seasoned by patchouli, and then sweetened ever so slightly by the barest hint of amber.
As I've implied above, Black Aoud is an extraordinarily tenacious scent. In fact it's one of the longest-lasting scents I know. It's also extremely potent and leaves a great deal of sillage, so I advise applying it sparingly.


This fragrance has the same situation!
It's really interesting and exotic fragrance for many folks in US, Europe but if you live in Asia and specially countries like IRAN which I am and countries at the same area, when you wear something like this that mean you smell like the cheapest rose extract that is called "Golab" and you can buy a 1 liter bottle of it for less than $1.
People will make fun of you when you smell like this!
There is a city in IRAN called "Kashan" that is very famous in the world for having very big rose gardens and special rose extract that is exactly the smell of this fragrance!
This rose extract has different uses! mostly they use it in holy shrines and also we use it in our funerals on the body to smell good and also has usage for making local cookies in some cities of my country!
Do I like to smell like a holy shrine or a body before bury?! hell no!
Also oud has a very small role in this fragrance!
All thing that you get is syrupy sweet musky rose for a very long time and only some oud in the background and also patchouli which was the only part that I enjoyed.
And please for god sake don't tell me how oud smell like because I've grown up with smell of oud and rose like every other guy in my country!!
Both projection and longevity is amazing with this!

4,5-5/10


I finally returned to this fragrance after several years. As the old saying goes, absence makes the heart grow fonder.
Other reviewers have pointed out that, while Montale pioneered oud-based, "Arabian" fragrances for western consumers, they have long since been surpassed by other niche and even designer houses. In the years since Black Aoud was released, the market has been flooded with various takes on rose + oud. I expected to be disappointed by Black Aoud, perhaps even a bit embarrassed by it.
On the contrary, I found it to be a surprisingly pleasant experience. Portrait of a Lady is my personal "north star" for rose fragrances. I was instantly smitten with it and have remained so since my first application. Black Aoud is the closest analog to it that I have found. The rose notes are surprisingly similar--both of them have a kind of vast, airy, cloudlike quality that I find quite appealing. Differences emerge in the drydown. Black Aoud is a more typically Arabian fragrance--straightforward and relatively unchanging. In Portrait, the rose eventually yields to a dry patchouli. And yet...I am convinced that I detect a hint of that same "heart of patchouli" note in Black Aoud as well.
Scent: 4.5/5
Sillage: 5/5
Longevity: 5/5
Pros: longevity, clarity of the rose note
Cons: linear, a bit synthetic


Not my thing.



I gave this a neutral, though, because it is simply not my style.




The definitive rose chypre - strong, dark rose with the usual chypre support. Musky, sensual and definitely unisex.
A winner - regardless of who stole from whom.