Armani Code / Black Code 
Giorgio Armani (2004)

Smells rather nice but a sharp powdery scent is released upon application - it also does not last too long on skin

Okay for a small get together but makes an amazing room spray

Armani Code (2004) has erected an empire of flankers, giving younger Armani fans at the time a cold weather and nightclub option where Acqua di Giò (1996) would not do, but is ultimately a victim of it's own "too many cooks" construction. Three perfumers were brought in to create this "fresh oriental" night time fighter, including Clement Gavarry (son of Max), Antoine Li, and Antoine Maisondieu. Together, this group fashioned a powdery and spicy fragrance that threw down a gauntlet of challenge to the reigning champion of Jean Paul Gaultier Le Mâle (1994) a decade after that scent's release, but didn't really dethrone it in it's target demographic. Instead, Le Mâle and it's army of flamboyant flankers in muscular torso bottles continued to enthrall the gay clubbing scene while Armani Code slid into first place for strait guys looking to party, but also looking to attend a suit-and-tie event, thanks to Code's associated advertising. A lot of things came precipitously close to Armani Code in the mid-2000's, even Avon's own Passion Dance for Him (2004) rode very close to this but totally by coincidence since it released concurrently, and the powdery "itchy amber" style across orientals or fougères has never been my favorite. Still, I can see why Armani Code saw so much use: it wasn't necessarily better than something like Versace Blue Jeans (1992), but it was darker, more serious, and had marketing that was on point, plus the name Armani attached to it during a time when the brand was peaking in the male segment.

Armani Code is a semi-oriental/barbershop fougère with aromatic woods in it's base, using spice and biting tones as the thing which makes it exciting. Code opens with bergamot and lemon, sharp and citric but in that old-school 1960's fougère/semi-oriental way like Fabergé Brut (1962) or Avon Wild Country (1967), just even sharper than them. There's almost a piercing talcum powder note created due to this sharpness, veering into a style of women's perfume traditionally created to replicate the smell, so Armani Code accidentally gives itself some unisex flexibility for ladies that enjoy such things, especially in the coriander and olive flower heart. This tandem of notes creates the "powder" note when the dry spice of the coriander and anisic tone of the olive flower mull with the razor-like citrus to make a fougère-like barbershop tone. The itchy amber accord quickly distracts from that nice barbershop glow for me however and little else in the base can save me from it. Spare amounts of oakmoss exist here, and even less in the wake of 2011 IFRA restrictions on it, with oil of guaiac wood filling in the rest, increasingly so with newer batches. There is surprisingly little detectable use of aromachemicals to make the final piquant base accord of Armani Code, but once again, the "itching powder" dry down just makes what is otherwise a potent but pleasant clubber into a scrubber for me instead. Sillage is oddly mild for the style unless over-applied, but I think Armani did me a favor here. Longevity is otherwise good at about 8 hours if you can hang with the style. Best use is naturally night time, clubbing, romantic or formal situations, but this is dry enough for the office too if you're the boss.

Armani Code originally went under the name Black Code for its first year, but that name was changed once it was decided flankers would manifest and "Black" was already a flanker identifier among designers, plus "Code" was just simpler anyway (especially since many of the future flankers do not have black bottles). Armani Code also reminds me of a sharper and spicier rendition of Emporio Armani He/Lui (1998), which plays in the same ballpark but with a more-pleasant and droll juniper focus. Just like with He/Lui, Armani Code emerges to my nose as a boring if not for the itchiness, especially in light of three perfumers having worked on this to He/Lui's one. Armani Code has become a lazy way to pad out the catalog with flankers on the male side ever since, but taking into account that retro styles were gaining ground at the time thanks to Tom Ford's efforts at Gucci and YSL, it also feels like Armani Code's powdery dapper gent aesthetic cranked to 11 was the label's intial way of trying to make a "next level" entry with some night life power. I can appreciate the effort here, so I'm not going to flunk this, but like with Le Mâle, I can't feel anything greater than indifference, and highly recommend testing this in stores before letting the hype train carry you off. Also as an aside: there is no difference between 2004-2005 Armani Black Code and 2005-2011 Armani Code, but there is a slight increase of wood and amber in post-2011 Armani Code batches, sans oakmoss of course. In any case, the effect is about the same once that powder accord hits, so I'm still left scrubbing. Oh well.

Really nice smell. Quite original in fact. Was let down by poor longevity on this one.