Amoureuse 
Delrae (2002)

DISCONTINUED

Average Rating:  17 User Reviews

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Amoureuse by Delrae

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About Amoureuse by Delrae

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Delrae
Fragrance House

Amoureuse is a shared scent launched in 2002 by Delrae

Fragrance notes.

  1. Top Notes

  2. Heart Notes

  3. Base Notes

Reviews of Amoureuse by Delrae

There are 17 reviews of Amoureuse by Delrae.


The listed notes of tuberose and honey sound right to me. This is a strong, exciting fragrance. I don't like it quite as much as the first Delrae I tried, Bois de Paradis. "Cloying" would be overstating it, but this one is challenging in a way that's slightly less comfortable for me to wear. I can definitely imagine a woman pulling this off to good effect. It's loud and memorable, and would make an impression.

This has urinous and animalic aspects to it that make it interesting, and it has a long-lasting base.


I grew up with a specific flaw in my understanding of history. It has to do with over-valuing the present. It's like a child's understanding of history and can be described as a misunderstanding of the expression, "There's no time like the present."  American exceptionalism leads to a hubris of the moment where the exceptional is always manifest in the present and therefore every moment is the best ever. It's exhausting.

As a result of this skewed view, my bias is to regard contemporary trends as separate from history.  Cultural trends are a break from tradition, a break from history, not a continuity. I struggle with the notion of tradition and am guilty of an over reliance on expressions such as 'old school' to mean anything prior to my using the expression. The present isn't an outcome of the past, it's the launching pad for the future.

Amoureuse is my lesson in continuity.  It's become easy to refer to certain perfumes as traditional, old lady perfumes, retro… and therefore value style over composition and intention. That is to say, a perfume is characterized and then dismissed based on it's superficial qualities. It would be wrong to dismiss Amoureuse as outmoded. It's not ‘old-school.' It's successful for the same reasons that the better perfumes from, say, the mid-20th century were so good.  Classical technique isn't a stab in the dark. It is a methodical and successful means of achieving an artistic goal.  Amoureuse is a contemporary example of classical work, something that, even as I write it, appears strange to my American sensibility.

Amoureuse points out an important distinction between style and intent. Post post-modernism, it's easy to see belonging to a particular artistic school (ie. minimalism, expressionism) or the use of a certain form as a matter of style. A brief that calls for a simple or accessible perfume doesn't imply minimalism. It describes the desired end product. Minimalism, like all artistic school, is a doctrine, or a working set of principals that links concept, method and product. By way of example, a new fruity floral perfume might have a simplistic goal (eg. a sweet berry perfume with notes of rose) but might lead to a complex formula. On the other hand, Jean-Claude Ellena, as a minimallist, makes perfumes such as Terre d'Hermès and Jardin sur le Nil by distilling concept and formula to as few working parts as necessary to express his ideas.

Tradition and classicism have specific meanings depending on the particular form of art. The canons, techniques and pedagogy of perfume-making can appear vague due to the historical secrecy of the perfume industry. Behind the obscurity of the profession, though, the practices of perfumery are codified and precise. Regarding perfumery, “traditional” and “classical” are more or less synonymous. They refer to the lineage of late 19th and 20th century perfumery, more specifically deriving from the French lineage. 

Amoureuse is a gorgeously lush perfume, and is about as minimal as a Bernini sculpture or a Transformers movie.  Applying traditional compositional methods to an unconventional mix of notes (Lily, cardamom, tangerine) gives an unexpectedly tropical bent to the flowers. A spiced lily with a creamy citric base underlines the ripeness of tuberose and jasmine and gives the perfume a languid, heady feel. It's similar to the lay-in-and-be-seranaded-by-the-sirens quality of Patricia de Nicolai's other-worldly Odalisque. Histoires de Parfums 1804 shares Amoureuse's sensibility of a prim French person on vacation in the Pacific tropics.

These three perfumes demonstrate the value of a trained, classical approach. Assured technique, a slightly unorthodox mix of materials and a creative mind lead to something new and fresh.

One way to create something new in perfumery is to take a new aromachemical or a new technology and to build a perfume around it. Advances in science have always made for changes in perfumery, from coumarin and vanillin to nitro musks and ethylmaltol. When the impetus is not a new chemical but a new idea, the perfume is a particular thrill. Amoureuse isn't earth-shaking, and it doesn't rewrite the rules of perfumery. But it is a joy and a pleasure that is perfectly suited to the personal scope of perfumery.

from scenthurdle.com


This is potent love juice ! Quite beautiful floral chypre - old worldly charm .Very well blended florals ,smells strong and classical . Use with caution as this could easily overwhelm .


Amoureuse is a big -- and I mean BIG -- incandescent white floral: strong open, massive sillage, buttery-soft finish. Superbly blended and well-thought-out. It's glamorous, romantic, womanly etc etc hypoerbole etc... but maybe the most important bit of information here is that it isn't exactly easy to wear. It's not a casual fragrance by any means. You have to be woman enough to wear this fragrance, because otherwise it will wear you.


Very lovely and spirited. It's a girl-next-door kind of pretty, yet subtly sensual fragrance with a whole lot of white florals and a little bit of honey and sandalwood to skank it up in the drydown. The honey, while not sweet, prevents it from smelling like every other floral. I'm not a fan of white florals, so I can't stomach this. And exactly as a previous reviewer said--I didn't get any tangerine or tuberose like I had hoped--it was almost all jasmine and honey. But I do appreciate its composition and I think it makes an absolutely perfect scent for a very specific kind of person.

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