Reviews of 24, Faubourg Eau de Parfum by Hermès


Barbara Cartland would have loved it.
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I was given a sample to try, by a BNer. I'm impressed. The only other Hermes I've tried / owned was back in the early 90's. the name of it escapes me just now...
24, blends orange blossom, gardenia, amber, hyacinth, orange, jasmine, iris, ylang, peach, and bergamot into a drink of liquid ambrosia. Vanilla appears, for me, after a few hours upon application. Definitely full bottle worthy. I guess I know what my birthday present to myself will be, this fall.

This continues well into the drydown, but the restrained sweetnes of the opening phase is intensified by a tonka impression, which blends in discretely with the floral notes. There is a touch of waxiness present.
The base sees the sweetness gradually waning, with a very subtle transient woodsy spiciness making an appearance.
The sillage is moderate, the projection excellent and the longevity nine hours on my skin.
Well blended indeed, this lovely floral spring scent with a twist is nice for evenings and never too sweet or cloying. 3.25/5.

Credit Line. First purchase was a 2002 Vintage EDP for my
life's partner. She had initially seduced me with Chanel 5, that is imprinted in my brain. However, when I sniffed 24 Faubourg, I said to myself, this stuff is so utterly Luxurious Feminine, it belongs to my girl.
Well, for some reason, my Queen chooses not to wear it and 75ml remains.
I wear her No 5 occasionally, but once in a while I steal a spritz of this gem, to remind me of it's dreamy Goddess-like beauty.

Sometimes I find that these luxurious perfumes express themselves at the expense of freshness, especially when the perfume is a particularly noisy soliflore like tuberose or a huge blended floral like 24 Faubourg. I enjoy these types of perfumes, but in their presence I sometimes get the feeling that the air I am breathing may be fragrant, but it is also stale. I find myself straining for oxygen like a swimmer above the perfume's silage.
This is, I think, a function of a perfume's construction. From what I can tell, Maurice Roucel has used very minimal aldehydes in 24 Faubourg, which gives its texture a sense of solidity. Instead of throwing off bits and pieces of its large white choral accord, the whole composition hangs in the air, suspended and majestic. At its top is a jasmine dripping with honey, hinting at gardenia, suggesting late spring and decadent nights, with indole to keep things lively and radiance to indicate luxury. Below the white flowers lies a gorgeous, juicy (not earthy) iris buttressed with cedar. The whole bouquet sits on just enough vanilla and salinity to keep it all from needing regular pruning and watering.
I don't know how this perfume does it, but it still leaves room to breathe. There's somehow just enough little pockets of space left in 24 Faubourg that you don't feel suffocated within it. And the just-on-the-edge-of-overripe, animalic drydown is gorgeous. Not only is 24 Faubourg wearable--it's haunting. The last time I smelled it, I pined for weeks until I finally broke down and bought a bottle.
I'm almost sure this is the power of suggestion and nothing else, but I smell the DNA of older Hermes releases in here. Something in this perfume suggests a little neroli and orange; something else suggests amber. Nothing in this fragrance is daring or unusual, except its over-the-top neoclassicism. I love the idea of just a spritz of this with one of my old rock t shirts and jeans. Wearing 24 Faubourg like that would be adding a bit of transgressive fun to an otherwise samey night.


Top notes: Neroli, Jasmine Sambac
Heart notes: Iris, Vanilla
Base notes: Amber, Patchouli
Turin gives it four stars and names it a "honeyed floral."
It is recommended for the very young woman - in her early twenties.
Very nice, sophisticated, complex.

A very original composition as fresh green scent mixing with gardenia and jasmine and a warm rich base of patchouly,vanilla and amber however jasmine is the most prominent floral notes for me but there is also patchouli dominant in the base notes as this is a blend that speaks clearly of timeless elegance and exquisite femininity.
This one is seemly for every special moments in autumn,winter.It is not for young generation definitely for a queen and a self confident character.surely you get so many compliments when you wear it.there is no other word possible to describe this fragrance it is utterly lovely.

The princess perfume from what I understand...
First off, this is a Beauty of a feminine fragrance, with a capitol W for women.
It is beautiful, sensual, warm, longing, intoxicating all at the same time. Pure femininity in a bottle and thus incredibly sexy.
The woman who wears this is gorgeous but requires a sensitive and featherlike touch to be seduced. She is elegant and playful, making her seem almost out of reach.
As for the fragrance itself, its a gorgeous floral, it's semi sharp, bittersweet, with warm vanilla and sandalwood combination. These are the notes I perceive. This fragrance is soft and it lingers, perhaps what a woman's scarf might smell when she unwraps it off her neck.
If this was in fact the scent that Diana left a trail of wherever she went, it more than explains (in part) why she was irresistible...

Having tested many fragrances over the last few years, let me just say... I think this is one the best perfumes for women in the world (and that's not something I would say lightly). The way this is put together is really special... and the smell is practically divine! It's strong, soft, warm and feminine all at the same time.
Hermès 24 Faubourg completely knocked me out when I first smelt it and immediately after I bought a small flacon of this for someone very dear to me... she really loved it! I think it's one of the classiest fragrances a woman could wear. I should also mention that the bottle itself is a work of art, with beautiful, rose gold liquid inside. It just announces class and beauty form that alone.
Additionally, I should also mention that this was one of Princess Diana's favourite perfumes whilst she was alive. Which just goes to show it really is a perfume worthy of a royal princess! I think that while it may come across as a little strong and bold, it's also manages to be very balanced and soft at the same time. I find it formal and elegant, but if someone really liked it they could wear it on most other occasions as well.
Overall, 24 Faubourg is a beautifully blended perfume from Hermès and master perfumer Maurice Roucel, I can't really fault it as a creation. This is one to be worn with your best clothes and jewellery. Perfect scent for a classy, confidant, beautiful woman, and perhaps the ultimate wedding day scent in my opinion. Well done Hermès & M. Roucel. Elegance & Perfection!

Not a bad scent, but not one of my favorites from Hermès, nor from nose Maurice Roucel, who composed it. 24, Faubourg registers for me as a spicy floral-oriental with an intensely soapy perfumey character. The basic structure recalls some of the classic French scents of the early 20th century, (L'Heure Bleue, Narcisse Noir, etc.) but without displacing any of its great predecessors.
My favorite part of this scent is the drydown, which reveals rich spicy woods, vanilla, and the faintest animalic element deep in the background. 24, Faubourg is a potent scent with plenty of sillage and tenacity, so I advise sparing application. For a more interesting Roucel venture in this vein, try Guerlain's Insolence instead.






Unfortunately, and I'm sure it's just me, I am halfway through the bottle and I can't stand it anymore. The "powdery" aspct of it in particular gets to me now, and the high sillage has become too much. This has happened to me with other fragrances in the past. Sigh. What to do with this half bottle....?

A "grown up" floral fragrance. A very comfortable scent and a joy to wear.