My favorite use of ambroxan is in Feisthauer's 2004 minor masterpiece, Hermés Eau des Merveilles, which, unlike many (all?) post-2010 scents, proves that ambroxan can be used in unusual and intriguing ways.
Eau des Merveilles is all about that "ambergris" feel and gracefully mingles radiant citrus with a peculiar minerality and woodiness in a way that's quite unlike anything I've smelled elsewhere.
It is fun, if futile, to speculate what might have happened if it had been marketed as a masculine instead of a feminine (it is wholly unisex) and had set the trajectory for Hermés' masculines instead of TdH.
(P.S. Bleu de Chanel is a snoozefest and seemed that way even in 2010. Sauvage is a chemical nightmare and blight on the landscape of designer fragrances.)
Eau des Merveilles is all about that "ambergris" feel and gracefully mingles radiant citrus with a peculiar minerality and woodiness in a way that's quite unlike anything I've smelled elsewhere.
It is fun, if futile, to speculate what might have happened if it had been marketed as a masculine instead of a feminine (it is wholly unisex) and had set the trajectory for Hermés' masculines instead of TdH.

(P.S. Bleu de Chanel is a snoozefest and seemed that way even in 2010. Sauvage is a chemical nightmare and blight on the landscape of designer fragrances.)
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